
Here are the latest questions, answered by Dave Bartram on the
31st October 2003 and 2nd November 2003 and added to the site on the 23rd
November 2003
From Gary
Oyitch of Lincolnshire:
I think it
would be good if you could do a show comprising of peoples favourite tracks. A
poll could be run in which people send in their favourites and from them it
could determine which songs they perform at the gig, ie the fans choose the
playlist.
It
sounds like a nice idea however, a lot of people that come to concerts don't
have the full SWW collection, and only really want to hear the hits! What we
could do is a poll to find out maybe 1 or 2 of the fans favourite tracks and
then possibly include those in the set.
From
Patricia Luty of West Yorkshire:
I would
like to ask Showaddywaddy if they remember playing in a place called THE GRAND
PAVILLION in Withernsea on the East Coast. The reason is that they stayed at the
only hotel in Withernsea at that time, The Queens Hotel and my Mum and Dad
cooked their breakfast.
We
returned to Withernsea for an outdoor gig in mid-August this year after our last
visit of 25 years ago, I'm afraid it's that long ago I can't remember the
hotel. It was a great gig in August though!
From
Steve McArdle:
Did you
sing the theme tune to a TV programme called “Rentaghost” in the ‘70s? I think
Sue Nicolls starred in it.
Not
guilty of that one!
From
Julie Staddon:
Today’s
Pop is a bit of a let down so it's great that bands like you are still going.
Are you still writing new songs? Do/did you get flashes of inspiration & just
have to rush home & write down some lyrics or a new tune?
Yes we
are still writing songs, if it's in your blood you never stop. Maybe someday
we'll do a new album of original songs especially for SWW devotees.
From
Pete Tustain of Banbury:
I have recently obtained a copy of the German CD
single 'Rock Christmas', I think the track ‘Perfect Harmony' is superb. Have you
ever thought about releasing this track as a single in the UK? I have been a fan for
thirty years, and this could well be the best SWW track I have ever heard!
I'm
pleased you like 'Perfect Harmony' as it's one of my own songs. It was actually
a demo that was submitted to the F.A and shortlisted for Euro 2000 theme tune.
However, I soon learnt that these things depend rather on 'who you know' rather
than being judged on a songs true merits.
Will the 'Hey Rock n Roll'
or other theatre show ever go back on the road? I thought it was fantastic.
I think
we can say that 'Hey Rock & Roll' is now dead and buried, although there are
plans to do a 50's style Rock & Roll tour, possibly as soon as next November.
From
Dave Hutson of Bristol:
On the
Hey Rock 'N' Roll album, you do a version of Reet Petite. Is there any chance
of a full version of this song being available? I think it is a good version by
the band.
I don't
think we'll record a full version of 'Reet Petite', it would be so hard to come
close to the original version. Jackie Wilson was a superb singer, and died way
too young!
From
Steve Thorpe of Berkshire:
Was "Sing
on Louise" written about anyone in particular?
Sing on
Louise was written about my God-Daughter Louise, who unfortunately I have not
seen for about 15 years.
I've noticed quite a few
songs on the Cherry Red CD's are mastered from vinyl - where are the original
master tapes these days?
Any chance
of the 'official' lyrics for Showaddywaddy's own songs ever being made
available, for example (on the site or in a book). On some song the words are
really difficult to hear (particularly Buddy's last verse of 'Love For A Star'
and all of 'The Party'!)
I think
that's highly unlikely!
What's the
story behind "You Will Lose Your Love Tomorrow", as it's one of my favourite SWW
tracks, and yet quite unlike anything else you have ever done! Did Dave write
it? Why wasn't it on the first album as it's certainly good enough?
I just
tried to write a simple Buddy Holly type song - no particular story behind it.
It was actually included on the first Greatest Hits album by public demand!
In the BBC
TV "Inside Out" piece in June 2003 Dave mentioned that they hoped to do "a new
album of original material, which we've wanted to do for a while". Any news on
this, e.g. song titles, recording dates etc?
I think
that album is some way off as there has not been much interest in the project
from any UK companies. The bands' future album projects have been somewhat put
on hold for the time being.
Did the
band ever have any Annuals published in the 1970's - (like the Bay City Rollers
Annual 1975 etc.) - I've seen numerous pieces about them in TOTP/Popswap annuals
etc. over the years, but none of their own.
There
was a 'Look In' special on the band I think in 1977.
Do any particular recording
sessions stand out as being memorable from over the years at De Lane Lea,
Rockfield, Music Centre Wembley?
The most
memorable was at le Chateau just outside of Paris as the building was rumoured
to be haunted! It was a little weird, we didn't go back there after the initial
week long session.
Who chose
what songs were included on the two "Greatest Hits" albums in 1976 and 1978? Was
it the record company, the band, or the fan club members?
Mainly
the record company, although there was a fans choice on each album which were
'You Will Lose Your Love Tomorrow' and 'Paint Your Picture'.
Go Johnny
Go has always seemed to be one of the most unlikely SWW recordings, it doesn't
sound like anything you’ve done before or since. Was Johnny someone the band
knew, or just fictional?
Go
Johnny Go was just a Chuck Berry inspired bit of fun!
From
Chris Dabbs of Lincoln:
A
recent record for sale on eBay, Boy George’s “Wishing Well” is said to contain
backing by Showaddywaddy. What is the history behind this?
I don't
know anything about that track, unless it contains a sample of SWW material.
From
Janet of Portsmouth:
May I ask how many children you have? I know you have a daughter called Holly.
If it’s too personal I understand.
I only
have the one which is quite right Holly.
From
Dianne (Marcel) Finnegan from Manchester
Do you
like cooking?
Perhaps
beans on toast or a cooked breakfast is my limit.
Do you
have any pets?
Used to
have a couple of Guinea Pigs now both deceased! Thanks for the compliment!
From
Martin Diamond of Cumbria:
The
Civic Hall in Whitehaven, Cumbria has bands of all calibre play, from Ash to
Buzzcocks and so on; Maybe you could investigate playing there?
We have
been in touch with Whitehaven on numerous occasions but, they have never been
able to strike the right deal!
From
David O’Rourke: What are the band’s
favourite memories of their hey-days in the 70's? Was it their first time on
TOTP, having a big hit at Christmas or the girls/the cars etc
What were the strangest
things (without being too personal) that the fans did? ie I know there was a
woman who named her kids after the band
Did the
band ever consider recording “Duke of Earl” before Darts?
No.
Was Romeo
sponsored by Premier in the ‘70s? Did he prefer their kits to others, but had to
use them because of sponsorship?
Yes
Premier were sponsors right up until recently (being based in Leicester had a
lot to do with it). It think Romeo always preferred Ludwig, but Premier were
and still are great kits!
Who was the best record
producer you worked with? Would you have worked with Dave Edmunds if you had a
chance?
What
happened to the countless drape costumes the band have worn since the start?
Many of
them were donated to various charity auctions and causes!
Finally!
Did the band enjoy the Christmas special of ‘Only Fools & Horses’ from a few
years back where Delboy was selling Showaddywaddy LPs? I think they were copies
of the 1976-78 Greatest Hits.
We had a
right laugh about that! It was great to be included on one of the best comedy
series ever!
From
Kira Ball of Chatham, Kent:
A quick
question: I’m 18 and would like to know how does it feel like when you see the
younger members of the generation getting up singing and dancing along to your
music?
That
gives us a great buzz. Too many teenagers are obsessed with 'being cool'. If
you go to a rock concert you should go to let your hair down, to dance, sing -
whatever! It's all about having a great night!
From
Kevin of Wick:
Back in
the 70's, many SWW 45's had "Kev" etched into the vinyl near the label. At that
time I had a trouble convincing my pals I hadn't done it myself! Was this the
record company's doing?
It must
have been some kind of code. I've never been aware of it. I must check it out!
In
response to an earlier question, revamped SWW tracks would catch on. My
daughters take part in local disco-dancing contests, and in the Rock 'n' Roll
section, SWW songs are often played (although seem to be a bit speeded
up). Maybe a whole new market opening up!
We've
contacted all kinds of DJ's and remixers, somehow things never quite happen -
not sure why?
From
Robert Render of Malton, North Yorkshire:
I was
wondering about the song you did Michael Barrymore - 'Saturday Night's Going to
Be Alright'? Is it a Showaddywaddy original or an old song?
The BBC
asked us to do that song with Michael. I understand it originally came from
'The Kids From Fame' series.
From
James of Greater Manchester:
I have
recently purchased a SWW acetate LP. The track listing is interesting; it looks
like it could have been a demo for ‘Red Star; (though there is no date on the
LP)
The
track listing is:
I’d be
interested to know in this case when Dave wrote “Lost” as this didn’t appear
until 1979.
I wrote
'Lost' in 1977 originally for inclusion on Red Star, however it wasn't quite
finished when the album was delivered to the record company.
From
Linn & Yvonne of Perth:
My
friend and myself were trying to get tickets for the concert in Glenrothes in
December, guess what it is sold out! We saw Showaddywaddy at the Normandy Hotel
back in September and as usual you guys were just terrific. We were wondering if
you guys were doing a tour next year like the Glitz Blits & Hitz tour. If so are
you coming back up to Scotland? PLEASE! PLEASE! PLEASE!
Don't
worry we'll be back up in Scotland soon. The Scottish leg of the '03 tour was
wonderful. I know Glenrothes sold out very quickly so I'm sure we'll play the
venue again before too long!
From
Michael Setchell:
As a
die hard fan from the beginning, in 70's package shows the audience is there for
the 70's hits like 'Sweet Music', 'Heavenly', 'Sweet Little Rock 'n' Roller' and
other classic 'Wad' hits, not the rock 'n' roll fillers that are played. If they
are playing a rock 'n' roll show then that format would be fine, but not for a
70's package.
Not
quite with this one the 'fillers' I assume to be C'mon Everybody/Summertime
Blues which have become the bands' live 'anthems' and 'I Hear You Knockin'
which features Danny (who makes a great job of it). Some of the lesser hits you
mentioned don't have the same impact as the so called 'fillers'!
A few from myself:
Did you
ever do any live Radio shows, such as sessions with John Peel on BBC Radio 1?
Not for
a number of years! I don't
think we'd be quite up John Peels' street!
How
disappointed were you that Arista would not release your own material as
singles?
The
thing was if you find a winning formula, the company will try to milk it for all
it's worth! There were some original songs that were worthy of being singles
and of course it was frustrating at times!
Why did
you decide to start producing your own singles from 1977 instead of using Mike
Hurst?
I've
already got myself into bother in the industry through my criticisms of Mike
Hurst, when he came up for a long service award! He was not a dedicated or
thorough producer and let some awful things go! Towards the end of his
association with SWW his input was very limited and it was obvious the band was
more creative in it's own right!
In some
early photos, you are wearing jeans with your drape jackets. Was the image
tidied up by Bell?
Those
photo's should never really have got out. Bell didn't dictate as to the bands'
image.
How soon
did you start wearing teddy boy suits – did you wear them almost as soon as
Showaddywaddy were created by the merger of the two groups?
Very
early on, as soon as we could afford to have them made.
You were
all recently sent the back catalogue of CD’s by Cherry Red. Is this the first
time some of the band has listened to old material for years or is it often
played back?
You are
so close to those recordings that it's very rare that you listen to them at
home.
Which
songs did you record much earlier than they were actually released, for example
“Really Going Out Of My Mind” is shown as 1978 but didn’t appear until 1980
There
were always songs that were not quite right to be included on some of the albums
i.e. 'You Are Love', 'Really Going Out Of My Mind' and 'Lucy Jane' and quite a
few others. A lot of these found their way onto B-sides.
Your album
track “Good Times” is credited to Sam Cooke. I have listened to the Sam Cooke
version of Good Times and it sounds totally different. Did he write two versions
of a song called “Good Times”?
I think
you've unearthed an error! 'Good Times' was written by Vanda/Young who were
members of 60's band The Easybeats, and is a totally different song to Sam
Cooke's similarly titled track!
And one
that keeps cropping up! You were in liaison with Cherry Red some months ago
about your promo videos being released on DVD - any update?
I have
been in contact with Cherry Red over a number of matters, and have not heard
anything back from them at all. (Much to my disappointment).
From
various people:
When
will you be playing in the following places: Portsmouth,
Plymouth, Swansea, Bradford, Gateshead, Watford?
Nothing
planned for any of those towns at present!
After all there are loads of great songs which haven’t seen the light of day for
a long long time such as “Lucy Jane”, “I’m A Traveller”.
I
wondered the same thing as the master tapes were submitted to Cherry Red. Some
of these companies try to recreate the original sound, scratches and all!
(More from Dave on 2.11.03)
The "Wishing
Well" charity single is still a bit of a mystery, although Romeo and Rod
attended a session a few years back for a charity song, which they did a few
bits of vocals on, so it must have been that. Unfortunately they can't be more
precise.
Thanks for all the great years of music, I enjoy every show!
I could
write a book in answer to that one, there are numerous memories!
I think
the family who named their son with all the bands names was the oddest! We met
them on an Esther Rantzen TV Show, I think he was pretty embarrassed by it all
as he was in the process of simplifying his name by deed-poll!
We
actually did approach Dave Edmunds to do some songs with SWW, but an ex-member
of the band had upset him at a party they both attended, so he turned the offer
down. We were more happy producing ourselves, although we enjoyed working with
Phil Wainman (who is still a personal friend)!
1. You Got What It Takes.
2. '68 Teenage Queen.
3. Lost.
4. Lucy Jane.
5. In Above Your Head.
6. Sweet Georgia.
(More from
Dave 2.11.03)
We did sessions for the BBC at Broadcasting House on a couple of occasions,
one I believe to be in '77 and the other as recently as '95, unfortunately I
can't remember the names of the programmes. If they come to light I will let you
know.
(More from Dave 2.11.03)
He wasn't
thorough and was more interested in getting home after a few hours in the
studio. The 2 real howlers that stand out which we wanted to re-do were on 3
Steps To Heaven at the end of the first verse on the word "tightly" there is a
serious timing fault by the drummer (Malcolm Allured). I remember being
disgusted that this was allowed to stand, particularly as it was to be a high
profile single!
The other really bad one (there were a number of other lesser errors let go) was
on "Rock & Roll Man" where the guitars are out of tune. It was just down to
laziness. Perhaps we were too soft and worked with Mike for too long (in excess
of 2 years) I remember Mud did a session with him after we had been to No. 1
with Under The Moon (when lots of artists wanted to work with a successful
producer) and Ray Stiles called me to say they were really unimpressed with Mike
and axed him after just 3 days.
Anyway it makes us sound bitter to go on criticising him any further. Though the
sessions were far more creative between 77-79 when we had a free hand.